Here is a thing everyone wants: a miracle.
Here is a thing everyone fears: what it takes to get one.
Any visitor to Bicho Raro, Colorado is likely to find a landscape of dark saints, forbidden love, scientific dreams, miracle-mad owls, estranged affections, one or two orphans, and a sky full of watchful desert stars.At the heart of this place you will find the Soria family, who all have the ability to perform unusual miracles. And at the heart of this family are three cousins longing to change its future: Beatriz, the girl without feelings, who wants only to be free to examine her thoughts; Daniel, the Saint of Bicho Raro, who performs miracles for everyone but himself; and Joaquin, who spends his nights running a renegade radio station under the name Diablo Diablo.
They are all looking for a miracle. But the miracles of Bicho Raro are never quite what you expect.
Here's the thing about Maggie Stiefvater books, for me at least- some I love right from page one and can't put down. The Scorpio Races for instance is that one book that once I pick it up I can't put it down, no matter how many times I've read it. Other's, like The Raven Boys, took longer for me to get into, but by the end I was fully invested in what was happening. All the Crooked Saints was a slow burn for me. I read it in fits and starts. I'd pick it up and read a chapter while waiting for dance class to start, or read a few chapters while also watching my kiddo at gymnastics. I liked the story, and the characters are immensely interesting, but I wasn't pulled into it at first in that way that makes you stay up all night to finish reading. Here's the other thing about Stiefvater's books, I know that whether the books hooks me from page one or if it takes longer, there will be that moment when suddenly it all makes sense and I have to finish the whole thing immediately. Which is where I found myself late last night, a book in my hand unable to stop reading until I could see the Soria family safe and sound on the other side of their miracles.
The book centers around the Soria family in Colorado, they live on Bicho Raro, a place where miracles happen all the time, and the people who live there, both saints and pilgrims live their lives dictated by strict rules of who can perform miracles and how these miracles can be performed. At first the story seems to just follow the family as miracles are performed and the pilgrims struggle with completing the miracles and being saved. I had a professor I had in grad school used to say to me all the time "So what?" She'd read a paper and say "So what?" She'd listen to an argument and say "So What?"... as a teacher I find myself saying this to my students, and as a reader I've found myself thinking it as I read a book. As I read All the Crooked Saints I started to think "So what?", I began to get a little impatient waiting for these miracles to resolve themselves . In retrospect, as I type this, the irony is not lost on me that my impatience virtually mirrors the impatience that the pilgrims were feeling at this point in the book as they too are waiting for some sort of guidance in completing their miracles.(well played Stiefvater, well played). At any rate, the minute that Beatriz and Daniel Soria began to realize what it is they must do was also the minute I realized what the book had been building towards all along. I won't give it away here, but suffice it to say that what I thought the book was about was secondary to what the book was actually about, and my thoughts of "So what?" turned quickly to "Oh my god, that's what!" and I began to second guess everything I thought I knew about the beginning of the book. I fully intend on giving this one a second read to pick up on all those things that I know I missed.
what the lady who is the prosecutor called me. Monster.
Fade In: Interior Court. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.
Let me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .Steve
You think we're going to win ?
It probably depends on what you mean by "win."
Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.
Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.
As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.
Let me start with an explanation as to why I read this book recently. It came out 14 years ago, but it's a book that has remained painfully relevant. Relevant enough to be on the curriculum for 8th grade ELA in my district. It's not without controversy though, and that is what brought the book to my desk. When a parent asked why we read it in 8th grade, when they asked specifically what the redeeming value of the book was, I had to admit that I had never actually read the book. I don't often read the ELA books, I have so many other books to read, review and recommend that I've always felt like if it was on the ELA curriculum, they had it covered. Still, I figured if a parent wanted to discuss the book I would give it a read. So off my library shelf it came and I blew through it in a few hours.
To start I'd have to say that this book is not for me. Stylistically I struggled to get into the story, to follow the characters, to be invested in the lives of the player. However, this was a function of HOW it was written more then the actual story. Steve, the main character is in prison on trail for a botched robbery that ended in a murder. In order to cope Steve imagines his life as a movie. Camera shots are highlighted, there are stage directions for where sounds are coming from, and parts of the story are told in flashback. For me, this was hard to get into. Still... the concept of his life being told as a movie is primed for discussion. For me this is where the bulk of a discussion would come into play, this is where we find our redeeming value. Steve's like is being dictated by others, he was following someone else's lead when the robbery took place, he is under the thumb of the prison guards, he has to listen to the directions from his attorney if he wants to get out. Even though he made the choices that led him here, his life is no longer his own, and it's certainly not what he hoped it would be. My question would be "why does he feel the need to imagine his story like a movie?" my hope would be that we would discuss how you can find a modicum of control amid the chaos, how taking back a piece of your own life can allow you to start to feel hope for a better future and how looking at a situation as an outsider (like the director of a movie) can sometimes allow you to gain perspective on a situation.
This wasn't one of my favorite books. It's not one I would read over and over again, but it's value comes from showing a different way to deal with the fallout from horrible decisions. It shows a slice of life that you may not be familiar with, and one that you would hope not to become familiar with. Overall the message here is one of taking life's turns and using the things you are passionate about (like film making for Steve) to help you get through the difficult times and never give up hope for a better future.
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